Sanctum in Pressure: Difference between revisions

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{{Orasian Artworks Infobox
{{Duranthi Artworks Infobox
|Name=Sanctum in Pressure
|Name=Sanctum in Pressure
|Image=[[File:Artwork - Sanctuary Vale 02.jpg|center|frameless]]
|Image=[[File:Artwork - Sanctuary Vale 02.jpg|center|frameless]]
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|Medium=Chiseled basalt
|Medium=Chiseled basalt
|Location=[[Dul-Val]], South Archive Hall
|Location=[[Dul-Val]], South Archive Hall
|Cultural Origin=[[Orasian]]
|Cultural Origin=[[Duranthi]]
}}
}}
{{Orasian Artworks Sections
{{Duranthi Artworks Sections
|Introduction=''Sanctum in Pressure'' is a monumental triptych carved directly into a living basalt wall in the South Archive Hall of Dul-Val. Rendered in tonal relief, the piece is regarded as one of the most significant visual expressions of collective memory in [[Sanctuary Vale]]. The work is both artistic and acoustic—its surfaces are shaped to resonate faintly in response to ambient sounds, in accordance with Orasian resonance practice.
|Introduction=''Sanctum in Pressure'' is a monumental triptych carved directly into a living basalt wall in the South Archive Hall of Dul-Val. Rendered in tonal relief, the piece is regarded as one of the most significant visual expressions of collective memory in [[Sanctuary Vale]]. The work is both artistic and acoustic—its surfaces are shaped to resonate faintly in response to ambient sounds, in accordance with Duranthi resonance practice.
|Description=The triptych is composed of three continuous panels, each reflecting a pivotal moment in the memory of the vale. No figures are present; the work relies entirely on shape, pressure lines, and the interplay of etched texture and stone silence.
|Description=The triptych is composed of three continuous panels, each reflecting a pivotal moment in the memory of the vale. No figures are present; the work relies entirely on shape, pressure lines, and the interplay of etched texture and stone silence.


* The first panel represents the *arrival of the [[Orasians]]* into the valley. It features spiraling descent forms, overlapping path impressions, and rhythmically layered stone bands suggesting listening, movement, and anchoring.
* The first panel represents the *arrival of the [[Duranthis]]* into the valley. It features spiraling descent forms, overlapping path impressions, and rhythmically layered stone bands suggesting listening, movement, and anchoring.


* The second panel depicts the *sealing of the [[Tarsuun Pass]]*. It presents a central fracture locked by interlocking stone shapes and bounded by carved resonance loops, symbolizing containment and ritual boundary.
* The second panel depicts the *sealing of the [[Tarsuun Pass]]*. It presents a central fracture locked by interlocking stone shapes and bounded by carved resonance loops, symbolizing containment and ritual boundary.